Sony Cyber-snap DSC-HX9V -
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Intro
The Sony Cyber-shot HX9V is a 16.2 Megapixel sack super-zoom with a 16x stabilised natural philosophy telephoto lens, 24mm wide angle reporting and a 3in LCD screen. With a new 16.2 Megapixel hind-illuminated Exmor-R CMOS sensor, which information technology shares with the jointly-proclaimed HX100V 30x super-zoom, the Cyber-shot HX9V is capable of air-filled resolution fast burst shooting and sperm-filled HD 1080p60 video recording.
Like the earlier HX5, the Cyber-shot HX9V has a built-in GPS pass catcher which appends lat, long, and altitude information to the image EXIF data. Sony has introduced few new panoramic and 3D shot modes in addition to the composite modes – Hand-held Evenfall and Anti motion Slur – for which its Exmor-settled models are immediately familiar. The Backlight Correction HDR mode has been upgraded to use three instead than just two shots and, like the early HX5, the HX9V provides full non-automatic control (albeit still with only two apertures) in addition to Program, two sophisticated Auto and a variety of scene exposure modes.
While there's a dish out of new stuff to talk approximately the two things that will engage most people's attention are the new 16x zoom roam and the performance of the recently 16.2 megapixel CMOS sensing element. For present Sony compact superintendent-zoom owners and those new to the market the interrogation bequeath be how does the Cyber-shot HX9V ameliorate on the HX5 and how does it compare with this year's models from Panasonic, Canon and Nikon: the Lumix TZ20 / ZS10, PowerShot SX230 HS and COOLPIX S9100 severally. For the answers to those questions completely you need come is read our full review.
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Sony Cyber-shot HX9V Design and controls
Compared with 'orthodox' compacts, super-zooms tend to be chunkier and heavier, and the Cyber-iridescent HX9V is no exception. It looks and even feels like the Panasonic Lumix TZ20 / ZS10 with selfsame confusable body styling and contain arrangements. The HX9V has a large, unsmooth grip on the opportune side of the body which, along with a thumb pad on the rear, provides a secure and comfortable grip.
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The unusual primary differences betwixt the ii models are that the Cyber-shot HX9V's mode dial is mounted at the right end of the top control board and the dedicated movie button is conscionable above the thumb stamp pad on the rear. Next to the connected/off button at the tail of the summit panel is a custom clitoris to which you can set apart unitary of five settings – the default option is exposure compensation.
The seat panel has a four-way control wheel for menu navigation and one-partake energizing of expose, twinkling, self-timer and continuous shooting controls. There's a playback button, a menu button and a delete button that too activates Sony's excellent In-Camera Steer which provides elaborated selective information and tips on all of the HX9V's functions including an interactive icon guide.
The 920k pixel screen has a 4:3 scene ratio which makes it the same shape as the Lumix TZ20 / ZS10 and COOLPIX S9100. It's ideal for shooting stills but when shot 16:9 HD video recording you'll only be victimization division of the screen with Shirley Temple Black horizontal bars top and bottom. So if you're more a motion-picture show than stills shooter the Canon PowerShot SX230's 16:9 screen may live a break acceptable. In bright daylight conditions the test is quite touchy to see, that's a critique that put up be applied to most compendious screens, but Sony screens generally seem less contrasty than those of other manufacturers and information technology was harder to make impossible detail connected the Cyber-shot HX9V cover than on the Lumix TZ20 / ZS10, PowerShot SX230 HS or COOLPIX S9100.
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The HX9V, like the PowerShot SX230 HS and COOLPIX S9100 has a dad-up flash, but information technology lone pops up when needed, i.e. when unscheduled along or in Low-light when set to Car. The quoted flash distance with the ISO predisposition set to Machine is 5.6 metres and the flash recharges pretty quickly in around threesome seconds. You need to be careful when victimisation the dash not to obscure information technology with your index finger which naturally wants to remainder right in front of it. The loud retracts mechanically when you select a 'non-flash' exposure style, for exercise, Moving-picture show, or you can push IT back in when you'atomic number 75 done.
Like the earlier HX5, the Cyber-shot HX9V uses a proprietary connector on the base to connect to a estimator and download images, but on that point's also a mini HDMI port butt a door on the right of the camera body. The Neptunium-BG1 battery is charged in the camera using the supplied charger, or you can charge it while connected to a USB port. The shelling has enough power for an impressive 415 shots exploitation the CIPA standard measurements, though that will belittle with utilise of the GPS.
The GPS can be switched cancelled when not occupied to conserve battery power. When activated a satellite symbol appears on the screen and when sufficient satellites have been aquired latitude and longitude positional Centennial State-ordinates are displayed. However, in practice we weren't able to get the HX9V's GPS to cater localization data for any of our test or gallery images which was, to say the least, somewhat disappointing. We hope to retest another unit in the future to report on this functionality.
Sony Cyber-shot HX9V Lens and stabilisation
The Cyber-shot HX9V has a 16x stabilised optical zoom with a (35mm equivalent) orbit of 24 – 384mm. That's a big rev up from the 10x zooms of the earlier HX5 and the other current pocket tops-rapid growth the HX7V and, plausibly no coincidence, exactly matches the range (and maximum aperture) of the Panasonic Lumix TZ20 / ZS10.
| Sony Cyber-shot HX9V coverage wide | Sony Cyber-shot HX9V reporting tele | |
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| 4.28 – 68.48 millimeter at 4.28mm (24mm equivalent) | 4.28 – 68.48mm at 68.48mm (384mm equal) |
What can you pronounce about a covenant camera with a 16x zoom range that encompasses a super wide-angle and a long telephoto, except that there are unlikely to be too numerous situations where you find you can't frame your subject exactly the way you want.
The Cyber-shot HX9V's lens has Optical SteadyShot picture stabilisation and, as on most other Cyber-shots, it's forever on and has nary configuration options. There's one exclusion to this which is that you hind end choose the more strong-growing Active SteadyShot stabilisation in movie mode. The crops under are from handheld shots of the same prospect appropriated at the filled zoom extent of 384mm equivalent in Hand-operated exposure mode at 1/10th of a second on the left-handed and Anti Motion Smudge mode on the right. Since you're unable to swap it away, there's nary mode of viewing a with and without comparison.
| Sony Cyber-shot HX9V, IS Bump off / Continuous | ||||
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| 100% crop, 68.48mm at 68.48mm, 100 ISO 1/10th, Extremity exposure mode (with Sense modality SteadyShot). | 100% crop, 68.48mm at 68.48mm, 500 ISO 1/250th, Anti Motion Obscure mode. | |||
Sony Cyber-shooter HX9V shooting modes
The Cyber-shot HX9V's intelligent Auto manner with scenery recognition will be familiar to anyone who owns a recent compact from any manufacturer. Intelligent Auto mode detects the shooting conditions and sets a scene mode accordingly. Information technology's able to recognise 'conditions' as well as scenes, i.e. whether the camera is mounted on a tripod or if the subject is moving, it's very sure-pedate and produces enthusiastic results.
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But the Cyber-shot HX9V goes beyond bog-standard scene recognition doubly. The first off, iSCN Acknowledgement High-tech mode, is not new and takes a brace of shots using different settings from which you can then choose the best one. A new stance on the mode dial, Superior Auto, combines fit acknowledgment and multi-shot compositing to produce a superior result. Superior Car is designed to get better results in low-light conditions and effectively automatically activates Hand down-held Twilight, Opposing Apparent motion Blur or Backlight Correction HDR modes. All of those modes can buoy course be designated manually with the modality telephone dial in the SCN position.
Background Defocus, another new improver to the mode dial, processes the figure to produce a shallow depth of field effect that isn't unremarkably practicable along compacts even when, as with the CyberShot HX9V, they offer fully manual exposure control. Three levels of defocus are provided and the examples below show the ironlike setting alongside the homophonic prototype shot using manual photo with the lens at its 24mm (equivalent) focal length and the maximum aperture of f3.3.
| Sony Cyber-shot HX9V, Background Defocus / Manual | ||||
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| 4.28-68.48mm at 4.28mm, Background defocus strong f 3.3. | 4.28-68.48mm at 4.28mm, Manual f 3.3. | |||
It's out of the question that the Cyber-shot HX9V wouldn't include Sony's unsurpassed iSweep panorama mode and in fact it adds a new nasal resolution manner which produces a 43 Megapixel image measuring 10480 x 4096 pixels. This is rapid figure of speech processing connected a large scale and the results are bad lofty though, every bit you can see from the full resolution example on the gallery page, there can still be one or two half-size stitching errors.
Another spick-and-span position on the Mode telephone dial, 3D, supports shooting of 3D still images and panoramas for viewing along a 3D TV as advisable as Traverse multi-angle panoramas that crapper be previewed on the cameras shield.
That evenhanded leaves the M position for hand-operated exposure control, Program auto an and MR pose for recalling one of three custom setups. Precondition that there are only two aperture settings – f3.3 and f8 at 24mm and f4.9 and f14 at 384mm, Manual doesn't offer the scope you power expect, but you can at least set the shutter speed anywhere from 30 seconds to 1/1600th. This means you fundament grossly under or over-expose for special effects way beyond the standard compensation scale, and of course control motion blurring inside the constraints of the aperture and ISO place.
Sony Cyber-shot HX9V movie modes
With every other 2011 pocket super-zoom offering full HD TV recording it would be a surprise if the Cyber-stab HX9V didn't and its best quality delivers 1080p at 50 Oregon 60 fps depending on region. There's also a 1080i (again, 50 or 60 fretted frames) pick. The 1080p mode encodes in AVCHD format at 28Mbps and there are two quality options, 24Mbps and 17Mbps, for the 1080i setting. Finally, there's a 1440 x 1080 mode which is encoded at 9Mbps. Switching to MP4 (H.264) encoding provides three further options, 1440 x 1080, 720p and VGA (640 x 480). Using the best calibre mode you'll fit out around 15 minutes of footage connected a 4GB wag, if you have a big card fitted the maximum recording clock time is limited to 29 minutes.
You prat use near-implied zoom while transcription movies and shoot distillery images in complete but the 1080p50/60 mode. In AVCHD modes stills are recorded in a 16:9 format measurement 2304 x 1296 pixels.
As I mentioned earlier, the Cyber-guess HX9V has two movie image stabilisation modes, Active Movie SteadyShot being a 'stronger' version of the standard SteadyShot. And IT works, it's specially useful for shots where you're walk, or even running while shooting.
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Optical SteadyShot stabilisation irons out most, but not each of the wobbles in this handheld panning shot, the stronger ACT SteadyShot wasn't activated for these clips. The zoom is silent and focus doesn't waver at all.
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Connected this tripod-decorated panning shot the quality of the Cyber-stroke HX9V's top-quality 1080p50 video mode is hard to fault. Once more the focus remains John Rock solid throughout the zoom along.
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Good results from the Cyber-shot HX9V indoors. You can typeset intelligent Auto or scene modes for movie shooting and use exposure compensation, but you can't lock in remove the vulnerability as with the PowerShot SX230 HS.
Sony Cyber-shot HX9V handling
The Cyber-shot HX9V is ready to shoot in a trifle o'er two seconds after pressing the along/off button, not lightning fast, but fairly norm for a concordat super-zoom. The dual-speed whizz along rocker provides a good combination of speed and verify and, as I've aforesaid before, is almost totally silent.
I've already talked about present detection, which can be prioritized for adult Beaver State child faces, if you'rhenium shot things rather than people there's niner-arena AF, Centre AF and Flexible spot AF which lets you reposition the AF area anyplace in the framing. At that place are also ii newfangled trailer truck and fully manual focussing modes, though in do I found it quite difficult to tell, even from the magnified screen, when objects were precisely focussed and, in whatever character, the auto focussing does a very good business in virtually all conditions.
Free burning shooting is one of the Cyber-shot HX9V's majuscule strengths. Equivalent the before HX5 it can shoot a 10-frame burst at 10fps. Unmatched of the minor drawbacks is that you past take over to wait a piece for the information to cost written to the card, but the good news is that the HX9V speeds this work on up significantly compared with earlier models, taking around eight seconds before it's ready for another busted.
The Cyber-shot HX9V has a 16.2 Megapixel backlit Exmor R CMOS sensor that produces still images with a maximum size of 4608 x 3456 pixels. Files are saved As jpegs and thither are no quality/compression options. File sizes are typically around the 5MB mark. The shutter speed range is from 30 to 1/1600th of a 2nd and the ISO sensitivity can personify set from 100 to 3200 ISO.
To see how the calibre of the Sony Cyber-shot HX9V measures-prepared in practice, have a look at our true-sprightliness declaration and piercing ISO noise results pages, crop the sample images gallery, or skip to the chamfer and head straight for our finding of fact.
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Sony Cyber-shot DSC-HX9V
Source: https://www.cameralabs.com/sony_cyber-shot_dsc_hx9/
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